The Virginia Piedmont WINS.

That's the Blue Ridge this morning, seen through the gap in Short Hill where nestles the achingly pretty Eighteenth-Century stone town of Hillsboro. The Appalachian Trail runs along that cloud-kissed ridge.
Turn to your right from that spot, and this is the view:

Jingo Acres lies at the foot of that ridge, about five miles up, near where it plunges into the Potomac at the extreme north end, which you see on the right.
The place lies in a clearing in that forest that you see there, and that's what brings me to the point of this post.
I've said jokingly before that that forest wants all of my lawn and garden back, but this weekend, probably (I hope!) the highest point of the cool, wet spring Growing Season, I realized the extent to which this isn't a joke at all. It's very real indeed.
Except for most of the Eighties spent in New York City and a long-ago cup of coffee or two in some European and South American cities, I've always been a suburban boy. I've tried a desultory hand once or twice at gardening, and in my adult life I've been the Head Groundskeeper at the various incarnations of Jingo Acres -- which meant that I have some familiarity with the usual trappings of a boozhie homeowner: lawnmowers, rototillers, edgers, weed whackers and so on.
Up until now, the Outdoor Life for me has always been a process of trying to make things grow where they wouldn't naturally: trying to raise a manicured lawn in insufficient light through exhausted soil, or plunking in an azalea to spruce up a little bald patch near a driveway.
None of this has prepared me in any way for what I'm experiencing now.
Owning a clearing in a forest, you come to appreciate just how enormous a role light plays for plants. Since the clearing (in fine weather an absolute cathedral of green) is an oasis of light, everything in the deep, dark forest on all sides sends in tendrils to catch it. Sensing the presence of huge quantities of unfiltered, free light, the tendrils become twigs and the twigs become branches, all reaching, climbing over each other, fighting desperately into my clearing -- in the space of what seems to be minutes.
Boy, it really wants it back, doesn't it.
Which leads to this weekend's spectacle of a slightly crazed Neddie Jingo patrolling the perimeter of the clearing, lopping tool in one hand and chain saw in the other, like Beau Geste on the fortress ramparts, beating back a horde of invaders, and coming to some conclusions about rural life:
- The people who settled this country had a mighty complex relationship with trees. Lots and lots more complicated than we understand back there in mulched-sapling country, in Japanese-Maple-Land. Where we bourgeois think of trees as entirely desirable things -- can anything be more depressing than a suburban development where the builders slashed down all the flora in order to build, leaving a flat, featureless sea of mud? -- our forebears could quite as easily have seen them as deadly enemies to be tamed, logged, chopped up for lumber where they can't hurt anybody.
- Given healthy soil and favorable conditions, a forest will regenerate itself. A patch of forest that's been logged or burned will come back. If you want to build a log cabin in a clearing in a forest, your chief problem will decidely not be a lack of trees. Ever.
- The Gardening Life in the country is spent trying to prevent unwanted things from growing as much as it is trying to make wanted things grow. This is not so much of a problem in the ChemLawn Suburbs. You may think it is, but I can tell you right now: It ain't.
- In a contest for my affections between my potato patch and the branch of a volunteer maple that's growing to steal light from it, my potato patch wins every time. A maple's got lots more branches, and I've only got one potato patch. Off comes the branch. And if that amputation kills the maple (which it won't), so be it. There are more maples too.
I also understand how this adversarial relationship with Nature is exploited by cynics who turn it into an ideology, into a kind of perverted populism that drives a wedge between urban and rural proletarians. It's used to create cultural touchstones (musical, artistic, religious) that seems to turn the city-dweller's contempt for shitkickers back on itself: If you ain't Country, you ain't Shit.
It's a lie.

Why, that would be your
Unitarian Universalism grew out of a reaction in Britain against the harshness and ugliness of Calvinism. And which British philosopher, himself a Unitarian, the founder of what John Stuart Mill would come to call 

Some years later, thoroughly in thrall to Pynchon's labyrinthine, stoned-oneiric epic Gravity's Rainbow, I checked out a book of lit-crit from the Brooklyn Public Library, a book I've never been able to find again. In the Preface, to illustrate the kind of obsessiveness the book can cause in people, the author presented the story of a graduate student who painstakingly counted every character in the novel. Then he divided the total in two, counted back, and discovered that at the exact center of the book... is the word center.
Well, I could have saved that poor apocryphal grad student a whole lot of work. Let's take out our Penguin Twentieth-Century Classics edition, with the V-2 blueprints on the cover. This edition was shot from the pages of the original hardcover, and should be identical in every way to the first edition. (This won't work with that miserable eye-watering Bantam edition.) Note that there are 760 pages, beginning with the title page of Part One.
The reason I'm onto Pynchon's little parlor trick -- and, really, that's all it is -- is that I spend a significant part of the Eighties as a Production Editor, estimating manuscripts for a parsimonious little oufit I affectionately remember as Satan & Shyster. You don't have to count every character in an MS to be able to predict with rather uncanny accuracy how many pages a finished book will use -- and therefore how much paper to order for the print run, which is a very important variable to a publisher; paper ain't cheap.
It's Cawnpore Day down at The American Street. Neddie contributes a squib on the
Young Betty Jingo's seventh-grade Social Studies class is doing a unit on The Sixties. As the end of the school year approaches and they close out their curriculum, seriousness in the approach to the subject matter wanes a bit.
This morning, as I listened to the "Morning Edition" piece on last night's bala gash -- sorry, make that 

Have to say, I'm very ambivalent about Arianna Huffington's
Ask 

Never let it be said that the
The Waterford News, a monthly that their father arranged through a friend to have printed on the presses of the 



Owing, I'm sure, to some horrible case of mistaken identity, which I'm sure will be rectified any moment now, I've been invited by Kevin Hayden, the editor of